Saturday, March 12, 2011

Why The 12 On The Alabama Helmet

The Last Enemy

A philological discovery occurs when a researcher can find somewhere an unpublished document which was believed lost or in some way had been lost in the tracks in time.

A philological discovery is something important because it can modify pre-existing assumptions and open new research frontiers.

Recently, the site comic strip. with a group of people tried to arbitrarily attributed a philological discovery (nonexistent) that relates to a comic story - entitled "The last enemy " - Made in the USA by Jack Kirby in the mid-fifties.

Why "arbitrarily" and that "non-existent"? Because of this tale in six tables, published in 1957 in the journal "Alarming Tales of the publisher Harvey Comics, in fact, had never gone missing.

early as 1997 the scholar's work kirbiana John A. Modica talked about in the pages of the magazine "Jack Kirby Collector" (No. 17) - the bible to which any fan of "The King" reference - about the origins of "Kamandi" undisputed masterpiece of the New York artist.
history, plus - free from the constraints of copyright - it's over soon available on the Internet with the power of computerized archives. And yours truly had cited in its editorial written for the omnibus of "Kamandi" published in Italy by Planeta De Agostini (through the service of MagicPress).

must say that the curators of the comic strip. Com - Alessandro Bottero and Giorgio Messina - through their respective publishers (the Publisher Bottero and Cagliostro E-Press) are about to launch on the market two series get you back stories dating back to the Golden Age of comics made da grandi nomi del fumetto d'Oltreoceano - non solo Kirby, quindi - e svincolati ormai da problemi di diritti.
E questo li sta spingendo a calcare la mano sui meriti della loro operazione di "scoperta" e "recupero" filologici (stando alle loro parole).

Il problema è che non si possono millantare "scoperte" a proposito di materiale liberamente disponibile sul Web già da molti anni. E il fatto che le storie in oggetto risultassero ancora inedite in italiano non costituisce affatto una giustificazione alla presunzione di aver "riportato alla luce" del materiale nient'affatto dimenticato. Trascurato , forse (Often rightly), but not hidden.

But we specifically of "The Last Enemy," which, as I said before, it contains in embryo some suggestions which will then be transfused - fifteen years later - in the serial "Kamandi (DC Comics).
Giorgio Messina - hurling a bit 'against everyone - he gives the first discovery Bottero - Golden Age article entitled for dummies - and then, SGAM and proven wrong, he tries desperately scrambling in the piece entitled E's heart and Jack Kirby Kamandi .
All this before the Bottero - director of head - that the editorial entitled philological Discoveries: publishing short, dry and clear (sic) states bluntly: "Discovery philological NOT quote a story from Alarming Tales of an article. philological discovery is to translate the story, publish the story, to offer him, so that readers can finally read. So the real philological discovery and finding the story "The Last Enemy," it translated and published it in Italian . The rest is just talk. "

Again, the story is freely available on the Internet: anyone who wants to search Google for "The Last Enemy - perhaps typing the string" The Last Enemy Jack Kirby "- the find without fail, by clicking available on the first link (a web page dating back to 2007). Link to which you can also refer you to retrieve the tables of the size you want. Just as I did, carrying the six tables that make up the history on the desktop (I did not even have to download them) and reading without breaking any laws,
I even fun to translate in writing (three-quarters of an hour of work, no more).

Prior to propose to you, introduce you to the story of Kirby, heavily influenced by the prevailing climate of the Cold War in the mid-twentieth century.
model metaphor is that of "Animal Farm" by George Orwell (1945): A time traveler finds himself transported to a distant future where the human race is self-annihilation. The place of the men was taken from various species "humanized" and evolved, the dogs (which symbolize the United States) have created a melting pot in which coexist peacefully foxes, bears, wolves, etc.. and then there are cats ii (representing the Soviet Union ) and rats (through which "satirizzano" Orientals, and the Chinese in particular).
In the history of dogs simply aspire to a world of peace, proud and bellicose cats should be converted to this view (which, for the time traveler, you can), but mice are beings ignoble, which are destroyed. Needless to say, the underlying racism and ideology that underlie the Yankee plot.
Here, the six boards, each of them in an appendix to the translation. I just want to state that this does not have any profit, but only a simple and informative critical intent.



TITLE and vineyards. 1:

The time traveler encounters strange friends in the world of the future ... ... and the opportunity to defeat the ultimate enemy!

Vign. 2:

Ho impostato la discesa del ”Cubo del Tempo” laddove avrebbe dovuto essere Montford, nel Connecticut… nell’anno 2514 d.C….

Vign. 3:

Dida.: Quattro anni di lavoro segretissimo nel laboratorio governativo avevano dato i loro frutti. Il Cubo funzionava… ma la gente non l’avrebbe mai saputo… fino a quando non fossi tornato…

Ball.: Nasconderò il cubo in questa grotta. Poi effettuerò una piccola esplorazione.


Vign.1:

Dida.: I was in a forest. In five hundred years all traces of the city of Montford was gone! ... Suddenly I found myself in a clearing full of ... of DEATH TIGERS!

Ball.: Tigers! A dozen ... and they wear clothes!

Vigna. 2:

Dida.: Suddenly I heard a voice behind me ... A voice from the tone squittente ... I realized when I saw people coming from ...

Ball. 1: It 's been a great battle, sir. The big cats are hard to beat!

Vigna. 3:

Ball. 1: T-you can ... talk?

Ball. 2: Oh, yes ... Your species has left us many things .... language, culture ... ... ...

weapons

Vigna. 4:

Ball. 1: But ...

Ball. 2: You should not be alive, sir. Something called "nuclear war" has killed humans.

Vigna. 5:

Ball. 1: And so, the Earth has remained the animals ...

Ball. 2: Someone had to inherit! It 's still a nice place to live, you know?

Vigna. 6:

Dida: There were so many questions to do ... But the awareness the tragic end of humanity had fallen so deeply in me to leave me stunned. I turned to the creature when I heard her chuckle ...

Ball. 1: What's so funny?

Vigna. 7:

Dida.: The lights did not disappear entirely after the shot in the head. I felt pain and I had a glimpse of the land that I was against ...


Vigna. 1:

Dida.: I could only guess the rest ... to be dragged into a sort of tunnel in the ground ... Then I fainted ...

Vigna. 2:

Dida.: If ever there was really a man trapped, well I did. Hammond Drake. I could not tell how deep I had brought. When I awoke, I was facing an inquisition ...

Ball. 1: ... That light hurts the eyes!

Ball. 2: When we say what we want to know ... the switch off!

Vigna. 3:

Ball. 1: What should I tell you ...

Ball. 2: Look at me! You do not have to do with our ancestral forefathers! We think! We will build! We are fighting to dominate the planet ... and with your help we can win!

Vigna. 4:

Ball.1: our network of tunnels around the entire under-surface of the planet! Above, dogs and cats are competing for dominance, and at the moment we are waiting to destroy each other.

Vigna. 5:

Ball. 1: Now, we must not wait any longer ... Not when we can learn how to make atomic bombs!

Ball. 2: Atomic bombs!

Vigna. 6

Ball. 1: Yes! You show him! If you can not ... your journey back in time and find someone who can teach us!

Ball. 2: I do not understand what you mean ...

Vigna. 7:

Ball. 1: Non prenderti gioco di me! Non sei giunto qui con un missile Pogo! La tua specie ha costruito una macchina del tempo… E tu sei il pilota! Adesso, dimmi dove hai nascosto quella macchina!

Vign. 1

Dida: Il piccolo diavolo era in gamba e da quello che si poteva capire dall’aspetto della sua specie… molto cattivo. Ma io mantenni il silenzio.

Ball. 1.: Non vuoi parlare, eh? Ma tu sai che lo farai! Abbiamo studiato i metodi degli antichi nazisti… li ricordi?

Vign. 2:

Dida.: In quel momento, una campana d’allarme entrò in funzione da qualche parte e un’ombra di terrore percorse inquisitor's face ...

Ball. 1: A raid! It 's a raid!

Vigna. 3

Dida.: I did not know what that meant. But I was hoping that was the miracle I had prayed for ...

Ball. 1: In the main cave ... Hurry!

Vigna. 4:

Dida.: But the main cave was already in the hands of the invaders. They were big and fast as lightning and emerging organized with precision by a vehicle headed to drill that had found its way through the underground tunnels. It was a vision that left speechless!

Vigna. 5:

Dida.: The raiders wore a sort of flamethrower. But what was gas leaked from nozzles that held in his hand. Those who held me prisoner were missing and all I could do was cry and cough while the gas enveloped me ...

Vigna. 6:

Dida.: My last memory before plunging to the ground is the shadow figure of one of the invaders that hung over me from the fumes swirling ...


Vigna. 1:

Dida.: I woke up, unexpectedly, in a soft, comfortable bed. I would feel fine if I had not seen the dog, the fox and the bear at my bedside ...

Ball. 1: Amazing! A man ... a real man!

Ball. 2: Fantastic!

Vigna. 2:

Dida.: Suddenly my door was wide open by a big bulldog in military uniform. My guests jumped to attention when he entered. Obviously they all can superceded.

Ball. 1: Beware!

Ball. 2: Rest!

Vigna. 3:

Dida.: They called general ... and walked away when asked respectfully to leave us alone ...

Ball. 1: ... I think that is all about comfort, sir ... You feel better?

Ball. 2: I have been given the best treatment.

Vigna. 4:

Ball. 1; And why not? It 's like to celebrate the return of an old friend, right?

Ball. 2: Tell me about the general ... all these fights ...

Vigna. 5:

Ball. 1: Alas ... Fighting! ... Should find it sad. Anyway, the dog does not fight to subdue ... Fighting to end the natural instinct of the enemy!

Vigna. 6:

Ball. 1: In the beginning we fought against all ... Foxes, bears, wolves! Now, we are allies. You see, you can replace cooperation instead of fear and hate!

Ball. 2: Perhaps you could work with the cats. But with rodents, I ... I ...

Vigna. 7:

Dida.: This species was different and he knew it. Not only cruel and perverse but also too smart! They were the great rivals. In the end, the rodent would have been against the entire animal kingdom!

Ball. 1: Yes they will ... or us! Then there will be peace for ever.

Ball. 2: I think I should promote the victory of your party, General!


Vigna. 1:

Dida.: I meant just that. The Earth was in good hands with a victory for his side! I asked the general to call the head of its scientists ...

Ball. 1: Right! I want the head of department of physics! Tell him that the General would like to see him here soon!

Vig. 2:

Dida.: In the presence of general and its main physics expert, as I wrote on a piece of paper.

Ball. 1: Here are the basic formula and the description of the process ... Now it's up to you!

Vigna. 3:

Ball. 1: I do not know if I do well to do it! I leave a dangerous legacy man and the last witness of his faith in you!

Vigna. 4:

Ball. 1: And now, I will give a last look this world turned into a battlefield and I hope you non-humans do a better job of man.

Vig. 5:

Dida.: I gave my farewell to the general and his colleagues. And he took care that I was led back to where I appeared for the first time. Then, in compliance with our agreement, I was left alone. I took out the time machine ...

Ball. 1: Well, back to the past, Drake. Your place is among men ... even if they are to die!

Vigna. 6:

Dida.: Entrai e presi posto ancora una volta davanti ai controlli…

Ball. 1: Mi chiedo se un altro uomo avrebbe dato loro la bomba atomica…

Vign. 7:

Ball. 1: Penso di sì! E’ meglio che il mondo vada ai cani che a una nidiata di astuti ratti!

Dida.: Lasciai che mi si disegnasse sul volto un sottile sorriso mentre il flusso temporale mi sospingeva nella mia corsa a capofitto alla conquista del mio destino… FINE.

Thursday, February 10, 2011

Plum And Red Bedrooms

750 000 € to Valstagna for its tourism projects

Riqualificazione turistico-ambientale del territorio e prospettive di sviluppo sia turistico, che sociale, sono gli obiettivi del progetto dell'Ipa (Intesa Programmatica d'Area dell'Altopiano dei Sette Comuni), predisposto dal comune di Valstagna, per un importo di 960 mila euro, approvato dalla Regione Veneto e finanziato con un contributo di 750 mila euro, presentato a popolazione, amministratori della Valbrenta e dell'Altopiano, associazioni di categorie economiche, dai tecnici Massimo Mottin e Giancarlo Gusmaroli. «Questo progetto evidenzia come una programmazione condivisa consenta di raggiungere grandi risultati, dei quali beneficia tutto il territorio», is the opinion expressed by both Presidents of the mountain communities of Seven Towns, English and Lucio del Brenta, Luca Ferazzoli.

Angelo_Moro01

"A comprehensive regional strategic plan is behind the project arose from a desire of the municipal administration - said Mayor Angelo Moro - to design and develop a forward-looking strategy of its historical heritage, landscape and environmental, related to decentralized planning IPA plateau, which joins the town of Valstagna, demonstrating ability to group with other local authorities of Seven Towns, aiming to create a system capable of migrating and seasonal variations l'offerta turistica, dalle attività fluviali e dalle escursioni montane in estate, alla speleologia ed altre attività invernali in montagna».
«Questo progetto dimostra che se il territorio fa gruppo attorno ad una idea che possa avere ricadute positive, economiche e turistiche, oltre i confini comunali - ha ribadito l'assessora Paola Maggiolo - la Regione ed anche la Provincia ci sostengono. Ora rimbocchiamoci le maniche e lavoriamo su temi e progetti comuni a questa zona, con due importanti obiettivi iniziali: lo sviluppo turistico, creando strutture ricettive e marketing necessari, in connessione con l'Altopiano dei Sette Comuni; lo sviluppo sociale, creando il nuovo polo scolastico Valle. " The overall design of the project "Geological routes between the highlands and the river ', provides an integrated tourist offer and scattered, able to network emergencies characterized by geological area of \u200b\u200binternational importance and, in this' optical Valstagna historically occupies a strategic position of the seam between the highlands of Asiago and the low Venetian plain. It is planned enhancement of existing routes and upgrading tourism environment of some key issues in order to promote the integrated development of the tourism system. Four are concerned geosites: Oliero, Valstagna center, and Lobb Subiolo Ponte del Sasso.
Roberto Lazzarato
the Gazzettino Wednesday, February 9, 2011,

Tuesday, January 25, 2011

How To Kill Rose Bushes

MAD BLACK


This cake has prepared the test of chef Anna Moroni.
To weigh ingredients used a cup that has a capacity of 200 grams.

Ingredients: 3 eggs



1 cup sugar 1 cup cocoa powder 2 cups cake flour 00

1 cup corn oil
1 packet of baking powder 1 cup hot water


For the topping:

2 egg yolks 50 g

rum 4 tablespoons cocoa powder 1 cup sugar sweet



Mix warm water with sugar, chocolate, eggs ( only the red), oil and blend. Then combine the flour with the yeast, fit very well for about 10 minutes, combine the egg whites with a wooden spoon and stir gently.
Butter a mold greased with butter to taste good and flour, bake at 170 degrees for about 40 minutes, check with a skewer. Prepare
coverage by putting in a saucepan the yolks, rum, sugar and chocolate, boil for 1 minute.
Pour all the mixture is still hot on the cake already baked

Saturday, January 22, 2011

Cream Cardigan Wedding

TURKEY BREAST WITH GORGONZOLA SAUCE



It 's a recipe from the magazine "Vecchia Scuola Bolognese" and is very tasty. E 'provided the use of both sweet and pungent gorgonzola, ma io ho avevo in frigo solo quello dolce quindi ho messo la doppia dose di quello.

Ingredienti

4 fette di petto di tacchino
sale e pepe macinati
30 g di burro
un poco di pangrattato per infarinare la carne
70 g di gorgonzola piccante
70 g di gorgonzola dolce
100 g di panna liquida
un ciuffetto di prezzemolo tritato
brodo matto: un bel bicchiere

Stendere le fette di petto di tacchino su un piano, insaporire con sale e pepe sui due lati e passarle nel pangrattato.
In un tegame mettere i due formaggi, la panna, un poco di sale e pepe e fare sciogliere sul fuoco bassissimo.
Sciogliere il burro in una padella senza farlo colorire più blond.
Fry the meat turning the slices when they made the edges blonde.
Please add the broth and finish cooking.
Make the sauce with gorgonzola cheese is completely blended and add the parsley before turning off the fire.
Serve turkey slices with their gravy, accompanied by gorgonzola sauce.

Sunday, January 16, 2011

Xeon Wood Burning Stoves




This roll was presented a few days ago the transmission of the Trial of the cook.
I think the potatoes can be replaced by other vegetables like artichokes, mushrooms, asparagus, leeks, etc.. and will always tasty.


Ingredients

1 rotolo di pasta sfoglia
3-4 cucchiai di salsa di pomodoro
200 g di patate lessate
150 g di prosciutto cotto in una sola fetta
30 g di olive verdi
1 mozzarella fior di latte
50 g di grana grattugiato
1 uovo per la doratura

Stendere la pasta su un foglio di carta forno oppure usare quella tonda già tirata.
Cospargere la pasta sfoglia con la passata di pomodoro. Spolverare di parmigiano e coprire con il prosciutto cotto e le patate, tagliati entrambi a cubetti piccoli, le olive tagliate a rondelle e la mozzarella a fettine.
Arrotolare, spennellare con l’uovo e infornare a 200° per 15 minuti, poi portare il forno a 180° e cuocere ancora per 15 minuti, possibilmente col forno ventilato.
Servire caldo.

Thursday, January 6, 2011

Wyndham Vacation Resorts

La Befana Caves Oliero

Friday, December 31, 2010

T Cell Summer Cannon Msds



Teomondo Scrofalo - painter kitsch - courtesy of the owner

June 2009 - December 2010

After a year

someone reminds us that we can see that as a group of new Directors have given a positive signal to the country, especially making a series of maintenance when the work of the Alpine Group, donors, volunteers and associations , were crucial and we must all be grateful.

Of course, we had information and transparency, which is totally lacking in the first administrative policies, listing the projects planned and carried out without looking forced consensus, but by working together with the concerned field and does not stand by with folded hands , moving from words to deeds, the achievements from the projects, solving problems and criticalities à .

's why our focus is geared to the creation, and we refer to the dozens of issues covered, from asfaltaure, criticism, to urban, municipal facilities, schools and the safety of children, sidewalks and to pedestrian areas, greatly improving the indecorous ecological zones.

We have no magic wand but we dealt with, along with concerned citizens, and solved these problems by planning for the future with new projects, new targeted and achievable, considering what was left unfulfilled and it ll'Urbanistica in the works public office Technical Commission and the Land Environment, and in over a year since we have not received any involvement or contribution active opposition, which has governed the town in recent decades.



SUMMARY OF ARGUMENTS DISCUSSED IN THE PAST

MUNICIPAL COUNCILS

■ OF BUDGET ESTIMATES - ANNUAL PLAN AND THREE YEAR (2010-2012 ) WORKS

In the annual plan and three-year program of public works, were work already planned in 2010 to over € 1,500,000.

In a country where there was no asphalt, street furniture left to be desired, chaos roadway had become a habit, and public parks Abandoned We just spoke with a large number of maintenance works ever produced before.

The next step will be the urban redevelopment of the historic center, having already submitted a redevelopment project in the Region of the eco-tourism between Oliero Subiolo-Bridge-center-Hut Lobb at Sasso di Asiago.

The pastures and forest-pastoral roads have been affected by roads and structural interventions.

It is completing the construction of ecological islands and dell'Ecocentro. Department of Defense hydraulic interventions are already in an advanced stage of implementation.

North of the country in locations à Marini, and when we have some concrete answers to the "ghost" Enel is agreed and planned with the residents of the district the construction of a recreational area well defined, and Anas are considering the implementation of the new bridge provided with the activities of the quarry à "Val Grande".

All studies re-defined in a general urban plan, which will include projects evaluated according to the car, the priority à , functions and costs, to create a country, more and more ù beautiful, functional and livable.

Considering the current energy crisis from the point, no plans have been innovative work on energy saving and renewable sources, up progetti che non dovranno gravare sui bilanci, visto i nostri obiettivi.

■ COMPLESSO GROTTE DI OLIERO

L'Amministrazione ha ritenuto di accogliere parzialmente la proposta della ditta concessionaria del complesso delle "Grotte di Oliero", proponendo uno slittamento di due anni (tre quelli richiesti) del termine naturale del contratto (31/12/2012) scegliendo di raggiungere un accordo conciliativo con la ditta Ivan Team s.a.s. per l’esecuzione dei lavori di realizzazione del Museo della Carta nell’area di pertinenza del Parco Grotte di Oliero, concessa alla ditta stessa con contratto a rogito del Town Clerk n.1617 dated 09.02.2007 by the previous Administration

The request of the licensee company was based on a balance of direct and indirect losses at its own expense, due to concession spaces for the Celtic Festival and the relapse negatively related to the construction site of the Museum of the paper. In

considered choice, also discussed in two meetings with leaders of minority and majority, in formulating this proposal have been assessed, the following points related to our main reasons that the public interest:

  • Keep active activity the complex of caves as an Oliero economic territory of which should be preserved to ensure that employment and investment (many reservations are the result of lengthy and expensive marketing campaigns and publicity);
  • Ensuring the revenue of the municipality, the owner of the site, provided by the business, of which we can not give up under any circumstances given the difficult economic times (fixed fees and a percentage of the sale of tickets for entrance to the caves);
  • Keep the activity is indirectly necessary for all the induced tourism and trade of the country, involving bars, shops , food, pizza, museum sites, and anything else that could still benefit the movement created by Caves Oliero;
  • further and do not care about the last event of the Celtic Festival, which for a decade is organized in the annex of the Caves park, all of which we recognize the importance of culture, Social and image for our area.
  • Considering all the critical issues that emerged in the past between the Manager and Director of the Festival, also highlighted in the request from the operator, with this Convention, the U.S. Administration finally gives official recognition to the Celtic Festival and institutionalize the importance of ensuring that all future editions, need for additional organizational difficulties;

conditions:

  • slip the natural expiration of the concession contract for two years under the conditions in place,
  • The company pledges to take upon himself all costs and expenses to carry out activities of the Park "Caves Oliero" for the duration of the construction works of the Museum of the Charter, and any charges, expenses, taxes or shift taxes from the concession contract granted;
  • The company continues to pay the license fee until the new maturity to an extent whole;
  • The company authorizes until the new deadline for the event in the Celtic granted;
  • The Company expressly waives any other compensation or damages and any legal action claiming that the slip compensation two years any direct or indirect damage resulting from the construction works of the Museum of the Charter and the relevant site;
  • All costs for the works and improvements undertaken and due to the accessibility to the caves by visitors, resulting the construction of the Paper Museum, will be complete and total load Company Team of Ivan and will remain, at the end of the work in the full, complete and available to the Municipality of Valstagna.
But someone had to say.

■ ADDITIONAL PIT COM AN ALE

the sitting City Council March last eight, the majority group has decided to confirm, for 2010, the additional municipal income tax at the rate of 0.2% as not to reduce public services or make them more ù burden on citizens.

■ WASTE FEE

The City Council has scheduled for 2010, an increase of 3.5% of Municipal Solid Waste Tax (TARSU) needed to cover 95% of the cost of collection and disposal services waste.


..... The topics for which you are interested in the minority.

Anything else?

All citizens in the meantime they had to admit the change and well, and many other topics, primarily aimed at social inclusion and citizens associazioni.Ai it anyway, as always, the final decision.

Between saying and doing ... Meanwhile, Happy New Year

Tuesday, December 21, 2010

Proton Pack Blueprints

Fiocchetti ROLL WITH RICH SAUCE AND GORGONZOLA WALNUT



Questa salsa è stata presentata alla prova del cuoco da Alessandra Spisni che l'aveva preparata per condire gli strozzapreti.
E' un piatto molto gustoso e appetitoso.


Ingredient i

100 g Gorgonzola
100 g mascarpone
formaggio grana
latte q.b.
gherigli di noce spezzettati
prezzemolo q.b.

Mettere il gorgonzola nel tegame sul fuoco e farlo sciogliere molto piano con un goccino di latte.
Unire poi il mascarpone e fare sciogliere unendo un poco di acqua salata utilizzata per la cottura della pasta lasciando bollire sempre a fuoco molto basso e facendolo ridurre un poco.
Intanto cuocere la pasta, mantecarla ai frmaggi, unire le noci, il grana e al momento di servirla unire il prezzemolo.


Saturday, December 18, 2010

Old Wooden Beer Barrels

blancmange



Questo dolce l'ho preparato qualche mese fa quando le fragole erano ancora profumate e dolci ed era stato presentato da Susanna Badii alla prova del cuoco.


Ingredienti

15 g di gelatina
500 g di panna liquida
150 g di zucchero
scorza d'arancia o di limone grattugiata
semi di mezza bacca vanilla
600 g of white yogurt


250 g strawberries 2 tbsp icing sugar juice of half a lemon


strawberries to decorate

Place the gelatin in cold water.
Heat up 350 grams of cream with sugar, orange peel and vanilla to warm up.
filtrate into a bowl, let it cool and just add the gelatin is warmed.
Then add yogurt and mix.
Assemble the remaining cream and fold into the mixture.
Pour into a mold wet with cold water and refrigerate for at least 4 hours.
Blend strawberries into pieces with lemon juice and icing sugar. Turn out the cake

Cut the strawberries into thin slices and decorate the cake.

Tuesday, December 14, 2010

How To Use A Refractor Telescope

CLAMP IN STRAWBERRY SAUCE BOLOGNESE



the Bolognese Apennines and in the countryside is very typical for Christmas and usually, on this occasion, the jam is enriched with raisins, pine nuts and lemon zest.
The dough is homemade donut, a hard cheese, dipped in wine as indicated by the Simili sisters in the book Bread and sweet stuff ..
It is prepared with:
1 1 kg of flour - 375 g butter at room temperature - 25 g of lard - 350/400 g sugar - 50 g of milk - 10 grams of honey is not bitter, avoiding chestnut, heather and thistle - 5 g salt - 25 g of yeast chimico - 4 uova


Ingredienti per la pinza


400-450 g di pasta da ciambella, fredda
4 cucchiai di mostarda bolognese
4 cucchiai di marmellata di prugna nera
(oppure una qualsiasi marmellata di pasta dura che non bolla durante la cottura spaccando così la pasta)
1 uovo sbattuto


Fate un misto con le due marmellate.
Su un pezzo di carta ben infarinato fomate un rettangolo di pasta di circa cm 24 x 26 alto 1 cm low.
Cover the rectangle of dough with the jam all around leaving a freeboard of about a finger. Helping you with all the paper roll and transfer it on a baking sheet, lined with parchment paper or foil, keeping the water below.
Prop bending in the two tips below, and with a boxcutter tip held vertically, make 3-4 holes spaced planting the blade up to the pan.
Brush with beaten egg and bake at 180 degrees for 30-40 minutes.
When cooking, the center of the caliper must be a little 'hard to touch.


Once removed from the oven, I sprinkled with sugar.

Monday, December 13, 2010

Papillomavirus, Dogs, Contagious

tablet of Castelfranco radicchio





This recipe was posted by Fernanda Coquinaria site at the festival of radicchio, which takes place in Castelfranco Veneto.

It 's a delicate dish, radicchio is not very bitter and we really enjoyed.

Ingredients

for the crepes
3 eggs 150 g flour
350 g of whole milk salt

for the white sauce

500 g of whole milk
30 g butter 30 g flour
walnut Mocata
salt

kinda a variegated radicchio from Castelfranco not very big
1 onion 2 bay leaves
white wine 500 g of sausage
oil

Boil in salted water for radicchio 5 minutes, drain and chop coarsely.
Making a fund to cook the onion with the sausage meat, add two bay leaves and sprinkle with white wine. A
When cooked drain it all so that the sausage stays drier.
With milk, flour and butter to prepare the sauce.
Place in the pan a little white sauce, a layer of pancakes (like a normal pie).
The recipe calls for each layer to proceed with the sauce, radicchio and sausage until all the ingredients, but I have joined the white sauce, sausage and radicchio so it was easier to spread it.
Put some butter on the surface and au gratin in the oven at 180 degrees for about 25 / 30 minutes

Saturday, December 11, 2010

Leica Minilux Bresson

CASTAGNACCIO BOLOGNESI


Ingredients

250 grams of chestnut flour
350 g of milk, raisins
pine seed oil, peanut


Mix the flour in a container with milk, a mixture should be liquid enough to kind of pancakes.
Then add raisins and pine nuts to taste.
Pour the mixture by spoonfuls into the hot oil and cook on both sides.
When they are cooked drain them on absorbent paper to remove the push of a little grease in excess.


Thursday, December 9, 2010

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Antonella's recipe to the test proposed by Cook was made with a type of pasta called Ricciarelli, but not having found it I replaced it with the noodles.



Ingredients 500 g queens

sauce prepared with:
400 g of ground beef
100 g of minced pork
celery, carrot and onion

white wine tomato sauce

250 g ricotta
250 grams of cooked spinach in a pan

chopped parsley grated Parmesan cheese salt and pepper
oil


Making browning sauce celery, carota e cipolla, unire il manzo e il maiale, sfumare col vino, unire il pomodoro e cuocere per circa due ore. A fine cottura unire il prezzemolo (facoltativo).
Cuocere gli spinaci in padella, tritarli, rimetterli in padella con una noce di burro, la ricotta e amalgamare il tutto
Cuocere la pasta, scolarla, mantecarla negli spinaci e unire un poco di ragù.
Servire con una spolverata di formaggio grana.

Wednesday, December 8, 2010

Doll Houses Blueprints

TORTELLINI PASTA SOUP WITH ENGLISH




Ingredienti


1 litro di latte intero
scorza di limone grattugiata
8 tuorli d'uovo
250 g sugar 120 g flour

40 g of dark chocolate into small pieces

alkermes
biscuits

Heat the milk with half the sugar and lemon rind then remove.
Mix the egg yolks with remaining sugar, add flour and mix with a little milk, then pour the mixture into the milk and cook the cream.
Divide into three parts and then join in a chocolate that will melt.
If you only do two layers of cream on the chocolate must instead dissolve 100 g of dark chocolate. Sprinkle cookies
nell'alkermes and place a layer in a baking dish. Cover with a piece of yellow cream, make another layer of biscuits, cover with chocolate cream and still with the other side of creamy yellow.
Place in refrigerator to cool and eat a few hours.
I always prepare the day before.

Tuesday, November 30, 2010

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PENS ZUMMINO


This is another tasty recipe Antonella Clerici.



Ingredients 200 g penne

200 g tomatoes 130 g black olives pitted and halved
chopped parsley 100 g
a slice of ham cut into cubes

mayonnaise 2 tablespoons grated Parmesan cheese


Brown in pan in a little oil celery, carrot and onion into small cubes, combine the parsley and tomatoes and cook.
Cook the penne. Place in a bowl
ham, olives, mayonnaise and mix well.
Drain the penne, toss them in the bowl with the ham, mix, then add the sauce mix and sprinkle with the Parmesan all over again.

Saturday, November 27, 2010

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Synapses, neural networks, Attachments, EMPLOYMENT AND CONDITIONS AND THEIR SUBLIMATION Andrea Boni.

Sono molte le persone che, per vissuti personali, covano un senso di inferiorità che le porta verso amori tormentati, aventi una matrice comune e simile, che si ripetono anche con soggetti diversi. Nelle loro relazioni affettive la richiesta di attenzioni, rassicurazioni e conferme è continua e il buco della loro scarsa auto-stima alimenta pensieri denigratori che tendono a far sperimentare emozioni e desideri che mai si soddisfano. La qualità della vita che si mette in atto e che si sperimenta diventa una dolorosa conseguenza, portatrice di fallimenti e attaccamenti morbosi che portano di fatto solo sofferenza. La Cultura Indovedica, attraverso la sua millenaria letteratura, ci fornisce innumerevoli examples and stories that show how this is true and innate in the very structure of the living, beyond any social or historical context. Among them, we can cite the story of King Dhritarashtra, contained within the Mahabharata, the king Puranjana contained in the fourth Canto of Srimad Bhagavatam, the brahmana Ajamila contained in the sixth canto of the King or Citraketu, contained in the Sixth Canto. What is the connection between the experience, the repeated experience, dependence, and then the fall in the same thought patterns? Because a person makes the same mistakes struggling to learn from experience? In fact, the emotions and feelings are linked to the chemical markers delle esperienze precedenti ed esistono in virtù del fatto che le impressioni derivanti da un determinato vissuto hanno attivato specifiche reti neurali (ovvero le loro sinapsi). L'esperienza ripetuta ha poi rafforzato i loro collegamenti strutturando i percorsi a livello elettro-chimico. Ciò ha dato origine a modelli di comportamento (vasana) precostituiti che si sono rafforzati a tal punto che altre modalità di pensiero non vengono neanche prese in considerazione tanto più il collegamento è forte e saldo. Il “box” del nostro pensiero tenderà a creare pertanto la stessa struttura mentale dando origine ai pensieri automatici condizionanti, che portano ad evitare tutto ciò che non si conosce, ovvero che non si è sperimentato precedentemente. Ad ogni stimolo (interno od esterno) è associata una rete neurale a cui a sua volta è associata una componente emotiva. Nel corso dell'attivazione lungo il circuito formato dalla rete costituita dai singoli neuroni vengono rilasciate delle sostanze (i neurotrasmettitori) portatori di un contributo informativo, che viene comunicato a tutte le cellule del corpo, le quali svilupperanno  dei particolari recettori a quel determinato neurotrasmettitore (si pensi che al momento se ne conoscono più di 100 e sono in continua crescita). Tanto più il modello di pensiero è strutturato e quindi il circuito neurale prevalente, tanto più si svilupperanno i recettori a quel determinato neurotrasmettitore. Ciò che avviene is a kind of addiction to the chemicals released or will be the same cells via the receptors to ask for his release. There is therefore a kind of feedback from the body. The stimulus triggering the emotion comes not only from the outside and then inside (samskaras), but also from the body at the chemical level. Here is the explanation of the emotional dependency. Of course we are not only the result of electro-chemical cell, as what gives life and light to them is the consciousness that is behind everything. It follows that the pattern of automatic behavior can be stopped by acting on it, creating the conditions for a change to the base by the harmonious development will-wise and self-discipline of the emotions. To do this the first real problem to be solved is that of knowing who we really are. From a theoretical knowledge (jnana), then pass to the implementation activity, which contributes to the modification of existing neural networks and the formation of new circuits. In fact, when we acquire the semantic compositions disclosed by someone else (see, for example, the teachings of the spiritual master) and internalize through analysis, reflection, contemplation and critique our staff, we begin to change and create new synaptic connections in the brain . These connections form a network connection to recent neurological tissue just waiting to be activated by the experience of living with this new knowledge. So the knowledge of experience, to pass the emotion that came from that experience, it allows you to mature and develop an understanding of wisdom. It follows the evolution. During this process, the practitioner develops the awareness of being "other" that the mental content, facilitating the process of dis-identification from the psychic content and maturing together with the "taste" of a new feeling, the greater and healthier than previous ultimately brought only suffering "The embodied soul may abstain from the enjoyment of the senses, although the taste for objects remains of the senses. But if he loses this taste like experiencing a higher spiritual consciousness will remain fixed in the "Bhagavad Gita II.59. The superior taste referred to by Krishna (param drshtva nivartate) consists of spiritual emotions, what really belongs to our essence, the causal force of all that we call love and that is then distorted. At that level, the emotion is not illusory because it does not durable, so it's stable, deep, real and authentic and gives intense gratitude and love for themselves and for creation. The supreme happiness, freedom and compassion are within us, are the spiritual emotions. The real change comes only from a true self-knowledge, vision beyond the masks of the ego, understanding that the true and genuine pleasure that gives a stable satisfaction, can only be achieved by rediscovering their own and others' intrinsic nature of God.

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PASTA WITH TOMATO AU GRATIN




the test of the cook Antonella Clerici is presenting some recipes from his book, quick and tasty recipes. I draw some more than others, I must say that the family had "success" and that is why one of them. For

But take off the peel tomatoes before using them.

Ingredients



fusilli (or macaroni)
750 g of ripe red tomatoes 3 tablespoons
taggiasche pitted black olives 1 clove garlic

breadcrumbs basil

100 g of ricotta salata


Cook pasta in salted water.
Cut the tomatoes into slices and place a layer in crock pot.
Put on olives, chopped garlic (or the whole segment will be lifted after that) and basil.
Sprinkle with bread crumbs and wanting another tomato slices and some olives, bread crumbs and still a lot 'of oil.
Bring it in the oven and bake at 180 degrees for one hour.
Put the dough in the pan and mix well. Grate over the ricotta and mix again, then serve.

Tuesday, November 9, 2010

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THE RATIONALITY 'SPIRITUAL Andrea Boni.

On 06/11/2010, I had the good fortune to attend a very interesting lecture by Marco Ferrini (Matsya Avatara Dasa) about the divine Lila Govardhana Hill where Krishna, to protect your Dear devotees, and to correct the pride of Indra, placing it raises a whole hill on a little finger of his hand. This episode is outside any rational conception of the mind. Then I asked: what is really rational? Even in mathematics there are real numbers, rational numbers, etc. On them you can build an algebra or logic operations in which they lay down precise rules. In this logic, for example, you may want to define the operation "+" between two numbers: a + b. If a = 1 and b = 1 then we can define that a + b = 2. The interesting fact is that getting this kind of algebra is enough to explain the physical phenomena of the phenomenal world. For example, the numbers have been defined "imaginary" to help shape the world of frequencies and are widely used in telecommunications. In this new world number one is composed of two parts, a real part and an imaginary part z = a + jb, a is the real part and b imaginary part. The index "j" defines the transition between the real and the imaginary part. With these new numbers is necessary to define a new algebra where the operations have a different meaning than those defined on real numbers. The only real numbers are not sufficient to define the phenomena inherent in the telecommunications, since they can be with these "new issues" as defined by a new "logic". This "trick" to define new objects that can better shape the otherwise inexplicable physical phenomena is typical in science. So I wonder: why not accept a spiritual rationality? Rules that can define and explain something that the ordinary rationality can not explain, but which become understandable accepting certain assumptions. I look forward to comments and reflections to establish a useful debate on this issue.

Monday, November 8, 2010

Milena Velba Nightmare

FAGOTTINI


This dish was presented by Antony to the test of the cook and does most of the recipes in the book "House Clerici.
E 'quick to prepare and is tasty.

Ingredients:

4 large slices of veal thin and fat free

8 slices prosciutto 4 slices provolone large fresh
4 large pitted green olives
80 g bacon into thin slices

oil sage butter

parmesan


Place each slice of meat on a slice of ham, a slice of provolone, a sage leaf, close them and close them a bundle with a toothpick.
Heat oil in a pan, put the dumplings and brown quickly on all sides.
transfer them in a pan covered with parchment paper, then put the olives, bacon, some butter and parmesan cheese.
Bring in the oven and bake at 180 degrees for about 20 minutes.

Sunday, November 7, 2010

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VEAL STUFFED GNOCCHI PUMPKIN MUSHROOM SOUP TORTELLINI


The recipe I saw in this site .
I'm not very fond of pumpkin, but I liked this dish very much.
The dose of flour but I had to increase (I went to the eye), because the dough was too mushy sempe. So they are not able to make the dumplings as directed, but by putting the dough in piping bag and cut the pieces directly into the pot.

Ingredients

pumpkin
Gr 350 Gr 350 white potatoes flour

Gr 180 Gr 300 ml
fresh porcini mushrooms. 200
fresh cream 1 egg 1 teaspoon chopped parsley


Wash the potatoes and cook in steam. Remove the peel and mash while still hot in masher.
Wash pumpkin and remove seeds and filaments inside. Divide into pieces and distribute them on a sheet of aluminum foil. Close to form a bag and bake at 200 degrees for 20-25 minutes until the meat is tender.
Let cool, remove the peel and the pulp mill the past.
United pumpkin the whole egg, potatoes and flour. Add salt and knead the dough enough to get right mix.
Form the dough prepared with many cylinders and cut into small pieces.
Spend the gnocchi on a fork to form the classic line.
Clean mushrooms by removing all traces of terra e strofinateli con uno straccio pulito leggermente umido. Tagliateli a fettine e cuoceteli in una padella con un filo di olio extravergine di oliva per pochi muniti.
Aggiungete la panna fresca, salate e pepate e proseguite la cottura a fuoco lento per 5 minuti circa.
Portate a bollore una pentola con abbondante acqua salata e tuffate gli gnocchi pochi alla volta. Prelevateli con una schiumarola man mano che vengono a galla e versateli nel sugo di panna e funghi.
Mescolate delicatamente e profumate con il prezzemolo tritato.
Servite il piatto caldo.